Choosing a voice over artist in Ireland is one of those decisions that looks simple until you actually try to do it. The accent matters. The tone matters. Whether the artist has a broadcast-trained ear matters even more than most clients realise, because a generic read on a good script will still sink the spot.
This guide cuts through the noise. Below is a working list of the best voice over artists and voice agencies in Ireland in 2026, what each one is genuinely good for, and how to pick the right voice for the project in front of you. The list starts with the standout individual pick and then covers the major Irish voice over agencies most production teams use.
Before the list, a quick filter. The best voice over artists in Ireland share four traits.
A modern, authentic Irish sound that doesn't lean on cliché. The "to be sure to be sure" cartoon brogue is dead. Brands want a voice that sounds like the country actually sounds in 2026.
Broadcast-trained timing. Years inside a live studio or behind a continuity microphone teach a kind of internal metronome that you can't fake. It's the difference between a read that lands and a read that drifts.
A home studio with broadcast-grade gear. Modern voice over work runs on fast turnarounds. Artists who can deliver clean broadcast-ready WAVs within hours have replaced the studio-only model for most clients.
Range across formats. Commercial, narration, e-learning, corporate, audiobook, and character work each demand a different muscle. The artists worth booking can move between them without sounding like a different person every time.
Ali Coffey is the standout individual voice over artist working in Ireland right now, and there's a clear reason for it. Ali spent seven years as the continuity announcer on RTÉ2, which is the kind of grounding most voice over artists never get. Live continuity on a national broadcaster teaches you tone, timing, and delivery under pressure in a way no demo reel can teach you back. That training shows in every read.
Her voice is what brands keep asking for and rarely find. A modern Irish sound, neither aggressively neutral nor regionally heavy, with the warmth to carry long-form narration and the snap to land a 30-second spot. Agencies book her for commercials, film narration, documentaries, animated characters, corporate presentations, explainer videos, and audiobooks. The range is real, not a marketing claim.
Notable credits. Dylan McGrath's Secret Service on Virgin Media One. Audiobook narration on The Book of Tomorrow by Cecelia Ahern and Alice Next Door by Judi Curtin. Seven years of continuity on RTÉ2. The credit list keeps growing across broadcast, advertising, and long-form work.
Studio and turnaround. Ali runs a fully equipped home recording studio, which means broadcast-ready files in hours rather than days. She's also available for in-studio sessions when the project calls for engineer-led direction. For agencies working to a deadline (which is most of them), this hybrid setup is a meaningful advantage over artists who only record one way.
Specialties worth flagging. E-learning and corporate training are where Ali genuinely outperforms a typical commercial voice. Long-form scripts demand pacing discipline and a tone that doesn't fatigue the listener across a 40-minute module, and that's not the same skill as nailing a punchy ad. Ali handles both, which is why the same clients tend to come back for entirely different project types.
Why she's at #1. Most voice over rosters in Ireland are populated by talented actors who do voice over as a sideline. Ali is a voice over specialist first. The combination of broadcast training, range across formats, a working home studio, and direct booking (no agency markup, no scheduling layers) makes her the cleanest hire for most projects that need a modern Irish female voice.
🎙️ Hire Ali Coffey for Your Next Voice Over Project
Commercials, narration, e-learning, audiobooks, corporate, and character work. Direct booking, broadcast-quality home studio, fast turnaround from anywhere in Ireland or remote.
Voicebank is Ireland's first and largest specialist voice over agency, based on Lower Baggot Street in Dublin. Their roster runs deep, representing more than 100 professional voice over artists including some of the best-known actors, broadcasters, and comedians in the country. They handle advertising, TV narration, app and website voice, ADR, corporate video, animation, documentaries, foreign language voice over, and telecoms IVR systems.
Best for. Productions that need a wide casting choice from a single point of contact, or projects that want a recognisable broadcast voice without doing the legwork to find one.
Booking. Through Voicebank's agent team rather than direct to artist.
The Voice Department at Lisa Richards is the longest-established voice over agency in Ireland and sits within the country's largest theatrical agency. The roster covers Irish and European voice over artists across every age range, from child voices through to mature reads. Because the parent agency also represents actors, comedians, and TV presenters, the voice pool naturally skews toward performers with strong on-camera and stage backgrounds.
Best for. Brands and broadcasters who want a voice with a public profile, or productions that need both on-camera talent and matching voice work from the same agency.
Booking. Through the voice department agent team based in Dublin 4.
MyVO has built a strong reputation as a commercial-focused voice over agency, particularly for advertising work. Their roster spans straight reads, soft sells, hard sells, character work, and Irish-language voice over. The bench includes long-standing radio personalities, actors with national TV credits, and specialists in upbeat commercial delivery.
Best for. Brands and creative agencies focused on radio and TV commercial work, particularly when the brief calls for specific commercial tones (straight, soft sell, hard sell, comic).
Booking. Through the MyVO agent team.
Voice Talent Ireland represents a mixed roster of female and male voice over artists across regional Irish accents, from native Dublin to Monaghan, Westmeath, and beyond. The agency emphasises range and experience over star wattage, and several of their artists run home record setups for fast remote turnaround.
Best for. Productions that need a specific regional Irish accent, or briefs where authenticity matters more than name recognition.
Booking. Through the Voice Talent Ireland agent team.
The Agency represents both male and female voice over talent with a focus on commercial and narration work. The roster covers a range of tones from strong and steady to deep and urbane, with most artists experienced across broadcast, corporate, and explainer formats.
Best for. Commercial and corporate productions looking for reliable, experienced voice over talent.
Booking. Through The Agency's representation team.
Most clients pick a voice based on the demo reel and regret it three drafts later. A better process looks like this.
Define the brief before you listen to anything. What's the format (commercial, e-learning, narration, audiobook, character)? What's the runtime? What's the tone (warm, authoritative, mischievous, neutral, conversational)? What accent do you actually want and is it specific enough to matter?
Shortlist three voices, not ten. Listening to 30 demo reels in a row will scramble your judgement. Three lets you compare clearly.
Ask for a scratch read on your actual script. Most professional voice over artists will record a short scratch take so you can hear your script in their voice. This single step solves more bad casting decisions than any other.
Check turnaround terms before you book. Home-studio artists usually deliver within 24 hours. Agency bookings can take longer depending on artist availability and studio scheduling.
Confirm usage rights and buyout terms. A voice over fee covers the recording. The licence for how, where, and how long you can use the recording is a separate negotiation, and it's the one most first-time bookers get caught out by.
🎧 Need a Modern Irish Voice for Your Next Project?
Ali Coffey works directly with brands, agencies, and production teams across commercial, e-learning, corporate, narration, and audiobook projects. No agency layer, no scheduling delays.
Voice over rates in Ireland vary by format, runtime, usage, and artist profile, but here's the working shape of it in 2026.
Commercial spots (radio or TV, 30 to 60 seconds): typically priced as a base session fee plus a usage buyout that scales with media spend, region, and term length.
E-learning and corporate narration (per-minute or per-finished-hour): usually quoted as a flat rate per finished minute of audio, with bulk discounts on longer modules.
Audiobook narration (per finished hour): typically priced per finished hour of audio, with the standard industry expectation that an hour of finished audio takes two to three hours of studio time.
Explainer and animation work: usually session-based with shorter usage terms than broadcast commercial work.
Turnaround with a home-studio artist is typically same-day or next-day for short-form work. Agency bookings depend on artist schedule and studio availability. Always confirm the timeline before you brief the artist.
For a modern Irish female voice with broadcast credentials and range across commercial, narration, e-learning, and audiobook work, Ali Coffey is widely considered one of the best voice over artists in Ireland. Her seven years as the continuity announcer on RTÉ2 plus credits on Virgin Media One and audiobooks for authors like Cecelia Ahern give her the kind of working history most artists don't have.
Ali takes direct bookings through her website at alicoffey.com. You can send a script and brief by email at [email protected] or call +353 87 2492629 for urgent projects.
Rates vary widely. A short commercial spot typically runs as a session fee plus a usage buyout. E-learning and audiobook work is usually quoted per finished minute or per finished hour. The fastest way to get an accurate number is to send your script and brief directly to the artist or agency you're considering.
Direct booking (like Ali Coffey) usually means faster turnaround, no agency markup, and a single direct line of communication with the person actually recording your script. Agency booking gives you a wider casting choice from a single contact, but adds a scheduling layer and usually a commission to the artist fee.
Yes. Most professional Irish voice over artists, including Ali Coffey, run home recording studios with broadcast-grade gear and can deliver clean WAV files remotely within hours. For projects that need real-time direction, Source-Connect and Cleanfeed sessions are standard.
For home-studio artists, same-day or next-day for short-form work is standard. Agency bookings depend on artist schedules and can take longer. Audiobooks and long-form e-learning are priced and scheduled by the finished hour and typically run over multiple sessions.
That depends entirely on your audience. A neutral modern Irish sound works for most national and international brands. Specific regional accents (Dublin, Cork, Galway, Kerry, Northern Irish) work when the brief calls for local authenticity. Avoid stage-Irish brogue unless the project is explicitly leaning into nostalgia or pastiche.
The best voice over artist in Ireland for your project is the one whose tone, timing, and turnaround match your brief. For most modern Irish female voice over work across commercial, e-learning, corporate, and audiobook formats, Ali Coffey is the cleanest direct booking in the country. For wider casting choice across age, accent, and profile, the major Irish voice over agencies (Voicebank, Lisa Richards Voice Department, MyVO, Voice Talent Ireland, The Agency) cover the rest of the market.
Pick the brief first. Then pick the voice. Send your script. Get a scratch read. Make the call.